Description: ____________________________________________________________________________Check out our full inventory at the goodguysound store https://www.ebay.com/str/goodguysound Heads, Cabs, Amps, Subs, Keyboards, Guitars, Drums, Stands, Cases, Mics, And So Much More. Inventory Updated Weekly Large Item Shipments Will Be Reviewed On A Case By Case Basis. Please Let Us Know If You Are Interested. Make Us an Offer & Feel Free to Reach Out With Any Questions, Comments, or Concerns___________________________________________________________________________ Sale Includes**This VCA Group is Non Functional in this unit** **Extension Cord and Surge Protector Pictured Not Included** Mixer with Travel Case 2 Power Supplies & One Power Conditioner in Travel CasePower Cables for Console and Amp The Heritage 3000 has established itself as the international industry standard in concert sound for Front of House and monitor applications. Defined not only by its striking colour (yes, it's purple) but also by all those things that make it so unmistakably Midas, the Heritage 3000 has proved to be a runaway success from day one.Features:Ultimate Flexibility: The Heritage 3000 is a unique live performance mixing console that brings complete flexibility to the live console arena. At home in a theatre, an Outside Broadcast Truck, on stage or at front of house, the H3000 offers a unique, easy to use, three position switching system that changes the consoles output functions according to the application.Interchangeable Modules: The H3000 is easily serviceable due to it's fully modular design. Stereo modules can be easily swapped with mono modules in any input position within the frame.Frame Sizes: The H3000 has frame sizes from 48 to 56 input frames.Improved XL4 Mic pre Amp: The H3000 features a new mic amplifier which further improves on the XL4 design giving a CMR improvement of +30dB whilst retaining the XL4's constant HF bandwidth topology which assures excellent amplifiers stability, RF rejection and noise performance at all gains.Equaliser: The warm, responsive and friendly four band fully parametric XL4 Equaliser design. Enough said.Direct Outputs: Every input module is fitted with a direct output as standard with its own level control and front panel switching which selects the source from pre / post equaliser.24 Mix Sends: The 24 mix sends can be easily configured dependant on the required application. Each pair of outputs can either be 2 audio sub groups or 2 aux sends or a stereo aux send (level / pan). These settings are memorised on power down.Inserts: Each channel has a half normalised fully balanced insert send and return point which can be switched in or out from the front panel and set as either pre or post equaliser.Spacial Image System (SIS™): Each input module is fitted with the Midas Spacial Image System (SIS™) for use with Left, Centre, and Right loudspeaker systems. When SIS is active, the unique image control rotary fader modifies the action of the pan control allowing the input to be fed into all 3 outputs. This can be particularly useful for distributing the load of high energy, centre panned sounds across all FOH loud speaker arrays.VCA Groups and Mute Groups: Each channel can be controlled by any combination of the 10 VCA master faders and 10 mute masters. Assignment of these busses can be under automation control. A safe switches can disconnect the channel from all mute groups and / or VCA control.Link capability: Direct inputs on all outputs allow the possibility to link consoles together or to a sidecar / extender.Matrix: As standard the 8 matrix outputs derive their signals from the 24 mix sends, left, right and mono masters creating a 27 X 8 matrix.Automation: The automation system can store and recall up to 500 scenes. VCA sub group routing is automated as well as all input and major output mutes. Input channels and VCA sub group levels can be also controlled via the automation system.Mechanical and Electronic Design Modules: All modules are extruded to provide exceptional modular strength.PCB Material: Military specification PCB material (FR4).Frame: Zinc plated steel chassis in 3 box sections to provide exceptional strength. The audio is separated from digital automation control by the steel chassis along the length of the console. Any interconnections between the two are filtered on both ends of the cable to ensure audio purity.Faders: P&G faders used throughout.Amp Design: Low noise summing amplifiers.Buss design: Hum / noise cancelling busses.Potentiometers: High cost, hermetically sealed Alps potentiometers used throughout.Components: Tight tolerance resistors and capacitors used throughout. Stable circuitry design that banishes oscillation.Weights and Dimensions (WxDxH): 56 channel 52 mono/4 stereo 253kg 564.4lbs* 1054mm x 2529mm 41.49” x 99.57”Frames: 16 Extender, 24, 32, 40, 48, and 56 (please note the 16 extender cannot be used with consoles greater than 48 channel).Stereo: All inputs wired for stereoEQ: 4 band fully-parametric (XL4)Direct Output: (front panel switchable and level control)SIS panning with IMAGE control24 Mix Outputs: (front panel configureable per application)10 VCAs *Non Functioning on this Unit**10 Automute groups27 x 8 matrixAutomation: snapshot automation of VCA routing, mutes and all channel and VCA levelsSpecifications:Technical Overview:30 buss console with an additional 27 x 8 output matrix. The busses are as follows:24 stereo or mono configurable groups = 241 stereo master = 21 mono master = 11 stereo AFL = 21 mono PFL = 1TOTAL = 3010 automute sub groups and 10 VCA sub groups which include VCA sub group muting.52 input channels plus an additional 26 direct inputs on the group and master modules.Total XLR input count of 95 as follows:52 channel mic inputs24 group direct inputs8 matrix bus inject inputs3 solo bus inject inputs2 master direct inputs2 external inputs (2 track return)1 master bus inject1 talk mic input1 talk external input1 test bus inputTotal XLR output count of 89 as follows:44 input channel direct outputs24 audio group outputs8 matrix outputs3 master outputs3 solo outputs6 local outputs1 talk external outputTotal of 180 balanced 1/4 inch jacks for inserts as follows:52 input channel insert sends52 input channel insert returns24 audio group insert sends24 audio group insert returns8 matrix insert sends8 matrix insert returns3 master insert sends3 master insert returns3 local insert sends3 local insert returns58 long throw faders for mix control with fader position recall and virtual fader functions.1043 automated switch functions as follows:480 input channel VCA sub group virtual assign switches480 input channel mute sub group virtual assign switches48 input channel mute switches24 audio sub group mute switches8 matrix mute switches3 master mute switches89 peak program meters with 20 LED segments on all outputs and 11 LED segments on input channels.Technical Specifications:Input ImpedanceMic 2k BalancedLine 20k BalancedInput Gain (all faders at 0dB):Mic continuously variable from +15dB to +60dBMic + Pad continuously variable from -10dB to +35dBLine Level Inputs 0dBMaximum Input Level:Mic +6dBuMic + Pad +31dBuLine Level Inputs + 21dBuCMR at 1kHz:Mic (gain + 40dB) > 80dBMic + Pad (gain 0dB) >50dBLine >50dBFrequency Response: (20 to 20kHz)Mic to Mix: (gain + 60dB) +0dB to -1dBNoise: (20 to 20kHz)Mic EIN ref.: 150 Ohms (gain + 60dB) -129dBuSystem Noise: (20 to 20kHz)Summing Noise: (48 channels routed with faders down) -80dBLine to Mix Noise: (48 channels routed at 0dB, pan centre) -75dBDistortion at 1kHzMic to Mix: (+60dB gain, 0dBu output) <0.03%Crosstalk at 1kHz:Channel to Channel <-90dBMix to Mix<- 90dBChannel to Mix<-90dBMaximum Fader attenuation: >80dBOutput Impedance All Line Outputs: 50 OhmsBalanced Source to drive: > 600 OhmsHeadphones To drive: >8 OhmsMaximum Output Level:All Line Outputs +21dBuHeadphones +21dBuNominal Signal Level:Mic - 60dBu to +10dBuLine 0dBuHeadphones +10dBuEqualiser:Hi pass slope 12dB / OctHi pass frequency continuously variable - 3dB point from 20Hz to 400HzTreble Gain continuously variable +15 dB to -15dB centre detent = 0dBTreble Shelving Freq continuously variable - 3dB point from 1k to 20kTreble Bell Freq continuously variable centre from 1k to 20kTreble Bell Bandwidth continuously variable 0.1 Oct. to 2 Oct centre detent = 0.5 OctHi Mid Gain continuously variable +15 dB to - 15dB centre detent = 0dBHi Mid Freq continuously variable centre from 400Hz to 8kHi Mid Bandwidth continuously variable 0.1 Oct. to 2 Oct centre detent = 0.5 OctLo Mid Gain continuously variable +15 dB to - 15 dB centre detent = 0dBLo Mid Freq continuously variable centre from 100Hz to 2kLo Mid Bandwidth continuously variable 0.1 Oct. to 2 Oct centre detent = 0.5 Oct
Price: 6500 USD
Location: Bakersfield, California
End Time: 2023-10-22T18:57:40.000Z
Shipping Cost: N/A USD
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Item Specifics
All returns accepted: ReturnsNotAccepted
Brand: MIDAS
Type: Mixing Console
Number of Channels: 48