Description: Description André Vandernoot Mozart Symphonies 3 SACD TOWER RECORDS JAPANProduct introduction An ideal image of a Mozart performance with a refreshing and natural sound. Accuracy of a masterpiece, here is extremely rare. A compilation of nine representative Mozart recordings of Wendelnot's symphonies. DISC1 is the first regular edition disc! New and latest reprint from French analog master tape. With new Japanese commentary. monaural recording. World's first SACD! Vandernaught, who was expected to play an active role as a talented conductor at the time, left this symphony recording with the Paris Conservatoire Orchestra from 1956 to 1958. It is a masterpiece among masterpieces. Until now, only 6 songs from No. 35 onwards have been reprinted on CD, but this time, for the first time, 3 songs from No. 25, 29, and 33 have been made into discs. All 9 songs recorded at that time were newly mastered for this release, using masters digitized at 192kHz/24bit from French original analog master tapes, and mastered separately for the SACD layer and the CD layer. Although it is a mono sound source, it is a recording with a remarkable effect of improving sound quality. Comes with a new Japanese commentary and a simple discography of Vandernote. The latest Definition Series presents two of the finest Mozart performances left by Van der Noord and the Orchester de Paris Conservatoire. This board is a set of 3 symphonies recorded from 1956 to 1958 (Simultaneous release: Violin Concerto Nos. 4 and 5 with Ferras TDSA244). The name of the conductor André Vandernaught (1927-91) is rarely heard today. Before his thirties, he signed a contract with the French company Pathe, and in a short period of time until 1964, he recorded with major labels, the Paris Conservatoire Orchestra, the Philharmonia Orchestra, and the Berliner Philharmoniker, with the exception of some session recordings. There were only a few live sound sources. In Japan, he made guest appearances with the Yomiuri Symphony Orchestra in 1965 and the following year. This is due to the fact that I stayed in my hometown and carried out activities in a way that went against the wave of homogenization of the music world due to development. There are many recordings of Van der Noord as an accompaniment conductor for concertos, but there are not many other recordings on the old EMI sound source. In addition to these 9 Mozart pieces, there are 5 overtures by BPO and Beethoven, 1 falla with PO, 1 Ravel and 1 Chabrier with PO, and 2 pieces by Stravinsky. All of them are mainly small items. Mozart is the only symphony, and after this, Heidschek and piano concertos from the monaural to stereo eras are also recorded, so if I were to summarize them, these would be the only ones. Symphony Nos. 25, 29, and 33, which will be made into DISC for the first time this time, are known as extremely rare, and it can be said that others are relatively difficult to obtain. It's hard to find lively performances nowadays, so I think it's a performance that remains in the hearts of many listeners even now. In terms of CDs, WAVE continued to be out of print for a while after releasing 6 songs in the latter half, but in 2011, we reprinted the 6 songs in the latter half of the project with EMI, the predecessor of this project (QIAG50070: Out of print). At that time, I originally wanted to go back to the master tape and renew the sound quality, but I could not realize it, so this release, which finally added three songs that had not been released on CD, was a long-awaited reprint. It is a state of mind such as “certainty of a great performance, extreme here”. The sound quality is also clearer than before, and the texture of the stringed instruments has improved, and I believe that we were able to partially secure the sound quality that is close to that of the early analog board. In addition, DISC 1 was recorded from No. 29 in order when it first appeared, but this time it is recorded from No. 25 in numerical order. In addition, the data such as the recording date and recording location of each song described this time was not left in the current Warner, which was taken over, so it is posted after some investigation. Therefore, please forgive the point that it cannot be said that it is completely official data. This time, from the original 2ch analog master tape in my home country, we are using the latest mastering using a flat master that has been digitized at 192kHz/24bit. The master had some noise in the song and dropouts near the end, and the condition was different depending on the song, but I tried to master from a musical point of view, focusing on the original balance as much as possible. I was. I think that you can fully feel the effect of SACD conversion even though it is a monaural recording. In addition, I posted a new sentence by Mr. Kotaro Yamazaki in the Japanese manual. The jacket adopts the 25th, 33rd, and 29th designs. In this series, the SACD layer aims for high resolution and a rich sound field with extended high frequencies and soft nuances, while the CD layer aims for a solid and solid sound with a sense of reality. The potential of the CD itself is also high, so please enjoy it as an SACD hybrid board where you can enjoy the goodness of both.Work information MainConductor: André VandernoetOrchestra: Paris Conservatoire Orchestra OthersComposer: Wolfgang Amadeus Mozart Contents Number of components | 3 sheets Track Listing: Wolfgang Amadeus Mozart:
Price: 108 USD
Location: Ibaraki
End Time: 2024-11-14T16:09:23.000Z
Shipping Cost: 20 USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 60 Days
Refund will be given as: Money Back
Artist: André Vandernoot
Release date: November 5, 2022
Record Label: Warner Classics
Release Title: W.A. Mozart: Symphonies
Catalog Number: TDSA241
Edition: Limited Edition
Type: Album
Format: SACD Hybrid
Release Year: 2022
Language: Japanese
Features: SACD
Genre: Classical
Country/Region of Manufacture: Japan
