Miss Selfridge

AN ORDINARY MIRACLE - 1965 SOVIET MOVIE FILM POSTER - LEONOV YANKOVSKY ABDULOV

Description: Original film title (on the poster): ОБЫКНОВЕННОЕ ЧУДО  Released title for English speaking countries:AN ORDINARY MIRACLE POSTER ARTIST:        OSTROVSKIY VASILIY IGOREVICH DIRECTED BY:           MARK ZAKHAROV GENRE:                          COMEDY, FAMILY, MUSICAL POSTER LANGUAGE:     RUSSIAN PRINT YEAR:              1965 PRINT RUN:                107.000 POSTER COUNTRY:       USSR FILM COUNTRY:             USSR PUBLISHED BY:         "REKLAMFILM", MOSCOW SIZE:                               IN: 22 x 31 = CM: 56 x 78 PRODUCED BY:          MOSFILM STUDIO CONDITION:                    USED TO BE FOLDED FILMPLOTSTARSIMDBARTISTFILMPLOTSTARRINGIMDBARTISTUp for auction is original Soviet movie poster for the film: "An Ordinary Miracle" is a two-part Soviet artistic musical television film of 1978 directed by Mark Zakharov. This is the second screen version of the play of the same name (1954) by Eugene Schwartz, the first was filmed in 1964 by Erast Garin. The TV premiere on the Central Television of the USSR took place on January 1, 1979. Music by Tchaikovsky The main character of the film is the Wizard, who, in order to entertain himself and his wife, invents fairy tales. The heroes of fairy tales come to life, come to his house and begin to live their own lives. Another fairy tale turned out to be very sad. Many years ago, the Wizard came up with a "reverse fairy tale": he turned the bear into a man and decided that he would return to its original state when the princess fell in love with him and kissed him. And so the young man - a former bear - returns to the Wizard and meets a beautiful girl in his house, whom he really liked. To his horror, she turned out to be a princess; The wizard made it so that the king, who was passing by with his daughter and retinue, turned to his estate. The bear and the princess met, and when the princess wanted to kiss the Bear, he ran away so as not to turn into a beast before her eyes. The princess, dressed in men's clothes, fled from her father, promising to shoot anyone who followed her. The lovers met at the Emilia tavern. In anger, the Bear goes to the innkeeper and asks to lock him up; the tavern is covered with snow and it is impossible to get out of it. The innkeeper gives him the key to the room, and in the meantime he draws attention to one of the princess's maids of honor and recognizes in her his first love - Emilia, after whom his tavern was named. The innkeeper and Emilia decide to help the quarreling lovers. The princess locks herself in a room on the second floor of the inn. The king orders the casting of lots, and the lot falls to the court minister-administrator. The latter comes to the princess, and a shot is fired: ahead of the princess, the administrator himself shoots at her, but misses. In anger, the princess decides to marry the “first comer” and calls the administrator her fiancé. The king decides to play a wedding. Desperate that his love is being taken away from him, the Bear decides to tell the princess everything about the kiss that turns him into an animal. The upset princess says goodbye to him forever. The wedding cortege is leaving. The Hunter and the Bear remain in the tavern. The Wizard appears and reproaches the Bear for cowardice and cowardice. According to the Wizard, he does not love the princess enough to sacrifice a human appearance for her. The Bear makes an agreement with the ambitious Hunter: if ever the Bear kisses the princess and turns into an animal, the Hunter will immediately kill him. Several years pass. The country is ruled by a minister-administrator. The king has completely withdrawn from affairs and does not want to hear about anything that is happening around. The princess is slowly dying of yearning for the Bear. The day of the princess's death is approaching, and the Bear and the Hunter appear in the Wizard's house. The bear kisses the princess, but, to the disappointment of the Hunter, remains human. The wizard explains this paradox as "an ordinary miracle." The heroes of fairy tales leave the house of the wizard, who turns out to be just a decoration. This decoration burns out, and the Wizard is left alone. Cast ☆ Oleg Yankovskiy   ☆ Aleksander Abdulov   ☆  Evgeniy Leonov    www.imdb.com/title/tt0186408/ OSTROVSKIY VASILIY IGOREVICH (1936-2012) - Soviet graphic artist, poster artist. Member of the Union of Artists of the USSR (since 1963). Honored Artist of Russia (1997). Was born in Moscow. Graduated from the Moscow Art Institute named after V.I.Surikov in 1960 with a degree in poster. He studied with famous teachers M.M. Cheremnykh and N.A.Ponomarev. Vasily Ostrovsky made a significant contribution to the development of Russian poster in all its genre manifestations. At the beginning of his career in the 1960s, he gained fame, working in film posters. He executed posters for such films as “9 days of one year”, “Jamilya”, “An ordinary miracle”, “The Deer King” and many others, and were highly appreciated by the audience and artistic community. Ostrovsky also worked in the field of social and political posters, collaborated with the publishing houses "Fine Art", "Soviet Artist", "Poster" - "Panorama". Author of film posters: "On the Threshold of Life" (1961), "9 Days of One Year" (1962), "Seven Nurses" (1962), "Vienna Woods" (1962), "How Toasts Are Born" (1963), "To Me , Mukhtar! " (1964), "A Man Walking Through the Wall" (1964), "Frost" (1965), "An Ordinary Miracle" (1965), "Happy Holidays, Girls!" (1966), Children's Film Festival. Cartoon-66 "(1966)," Solidarity, peace, friendship! " (1968), The Diamond Arm (1969), The Stolen Month (1969), The Golden Boy (1969), The Kid and Carlson (1969), The White Sun of the Desert (1970), The Wedding ( 1970), The Deer King (1970) and others. Author of political posters: "Dexterity, beauty, health" (1960), "We affirm forever the union of science and labor" (1965), "Glory to the people - the winner! 1941-1945 "(1970)," Solidarity, peace, friendship "(1971)," Peace "(1972)," On green fields and on a white track we will bring sports glory to the country! " (1973), "We will grow a worthy replacement for our famous athletes!" (1973), "I benefit from training: I will be strong, I will be agile!" (1973), “The people and the party are one! All for the elections to the Supreme Soviet of the USSR! " (1974), "Let the atom serve peace, not war!" (1974), “Take care of your native nature” (1975), “Let's preserve cultural monuments! Let's restore what was destroyed! " (1976), "Land reclamation - the fields!" (1977), "Glory to Peaceful Labor" (1977), "Constitution of the USSR" (1978), "Broader Front of Scientific Works" (1978), "BAM - All-Union Shock Komsomol Construction Project" (1979), "April 12 - Cosmonautics Day" (1980; jointly with V. S. Karakashev), "Human health is a common property" (1982), "Glory to Labor" (1982), "April 12, Cosmonautics Day" (1982), "Glory to Peaceful Labor" (1984), "Happy New Year!" (1984), "April 12 - Cosmonautics Day!" (1985), "Do not destroy yourself!"; triptych "Constitution of the USSR" (1978). He constantly participated with his posters and graphics in all major exhibitions, all-Union, Russian, Moscow and group. Held two personal exhibitions. Participant of the 1st, 2nd and 6th Biennials in Warsaw and other international exhibitions and competitions. V.I.Ostrovsky's work has been awarded numerous diplomas and awards. In the 90s, being the chairman of the poster section and a member of the board of the Moscow Union of Artists, he initiated the organization and participated in several exhibitions of topical socio-political posters, representing the author's, civic position of Moscow poster artists. The works of V. I. Ostrovsky, reviews about them in the mass press and special editions were repeatedly published, several of them were included in the major edition “Russia XX Century. The history of the country in a poster ”. Since 2002, V. I. Ostrovsky taught the discipline "Poster" at the Department of Graphic Art. Being a high-class professional with a bright creative personality, he managed in a relatively short time to instill in students an understanding of such a specific genre of fine art as a poster. This is evidenced by the fairly large-scale participation of his students at the 7th All-Russian exhibition of posters in Voronezh in 2005, at the All-Russian and Moscow International exhibitions, as well as at the jubilee (75 years of the Moscow Union of Artists) Exhibition of Moscow poster artists in 2007. In general, more than thirty students of V. I. Ostrovsky were able to show their posters at exhibitions and competitions of a fairly high level, which was marked with diplomas and prizes. No less significant is the creative contribution of Vasily Ostrovsky to the art of graphics. He created several cycles of drawings, formed as a result of constant and long-term work. These are landscapes, still lifes, nudity, portraits, etc. The artist was fluent in various graphic techniques and materials. Among them are gouache, sepia, sanguine, ink - brush, pen, pencil. Over the past few years and at the present time, V. I. Ostrovsky has been working on a series of drawings based on the subjects of ancient mythology. V. I. Ostrovsky's circulation posters are in the State Museum of Political History of Russia (GMPIR), the State Central Museum of Cinema (GTsMK), the Volsk Museum of Local Lore (VKM), the Gelendzhik Museum of History and Local Lore (GIKM), the Memorial Museum of Cosmonautics, the Museum of the History of Kronshtadt, Rybinsk Museum-Reserve, Saratov Regional Museum of Local Lore (SOMK), Stavropol State Museum-Reserve (SGMZ), Nevyansk State Historical and Architectural Museum (NGIAM), Novomoskovsk Historical and Art Museum (NIHM), OIHM im. IN Kramskoy, Central Air Force Museum, private collections; originals - in the Yaroslavl Art Museum (YAHM), the State Literary Museum. V. I. Dahl, private collection. The earliest known poster of Grebenshchikov is dedicated to the advertisement of the Izhevsk spring mineral water (1936). In 1947 he began to work in the field of political posters, together with G. Verite he drew a poster for the famous film "Circus" (1947), in 1949 - for the film "Foundling". Subsequently, he was constantly engaged in movie posters. One of the most significant film poster makers of the 50s-80s. He worked in the field of social and political posters, collaborated with the State Publishing House "Art". The author of the posters: "Long live the 32nd anniversary of the Great October Socialist Revolution!" (1949), "Glory to the excellent calculation!" (1950), "Breed Vladimir Heavy Trucks!" (1950). For the publishing house of the Main Directorate of Film Hire - "Glavkinoprokat" made a poster "Kotovsky" (1951). The famous propaganda poster of Grebenshchikov "Read, envy, I am a citizen of the Soviet Union!" (1967), performed together with the poster artist E.V. Abezgus; author of the poster "Your Father went from battle to battle, so let the warrior of peaceful years burn like a memory over ..." (1978). Most of all, the artist was engaged in advertising posters of feature films for the publishing house "Reklamfilm", they brought him fame: "School of Courage" (1954), "Noble Nest" (1969), "Communists" (1969), "The Dawns Here Are Quiet" ( 1972), "At will" (1973), "Torpedo bombers" (1983), "Optimistic tragedy" (1987). E. S. Grebenshchikov's circulation posters are in the collection of the Isofond of the RSL (the Russian State Library, formerly named after V. I. Lenin), the funds of the Museum of Cosmonautics, and private Russian and foreign collections.  Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 - 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 - 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 - 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 - 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Film title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 - 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. !!! COLLECTION SALE !!! YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company "Intourist". Come to us in the USSR! - the meaning of the posters issued by the firm "Intourist" was advertising of tourist trips for foreign citizens beyond the "Iron Curtain". You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie's auction. Yalta Hotel - is still working nowadays under the same name. ........................................................                                        ARTIST:               unknown                                          DATE:               1983                                                       EDITION:               5000                                          PUBLISHER:               "Intourist"                                          LANGUAGE:               English                                          SIZE:               in: 16x26 - cm: 40x60                                          CONDITION:               Rolled   Listing and template services provided by inkFrog

Price: 175 USD

Location: Clarksburg, Maryland

End Time: 2024-12-07T23:10:02.000Z

Shipping Cost: 25 USD

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AN ORDINARY MIRACLE - 1965 SOVIET MOVIE FILM POSTER - LEONOV YANKOVSKY ABDULOVAN ORDINARY MIRACLE - 1965 SOVIET MOVIE FILM POSTER - LEONOV YANKOVSKY ABDULOVAN ORDINARY MIRACLE - 1965 SOVIET MOVIE FILM POSTER - LEONOV YANKOVSKY ABDULOV

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money back or replacement (buyer's choice)

Size: 22 x 31 in

Region of Origin: USSR

Handmade: No

Artist: OSTROVSKIY VASILIY IGOREVICH (1936-2012)

Framing: Unframed

Country/Region of Manufacture: Estonia

Custom Bundle: No

Style: Vintage, Socrealism, Socialist Realism, Art Deco, Russian

Material: Paper

Theme: Film, Advertising, Animation, Art, Conflicts & Wars, History, Movies, Social History

Personalize: No

Type: Poster

Title: An Ordinary Miracle

Features: 1st Edition, Limited Edition

Subject: Film, Art, Movies, History, MIL, Military, World War II (1939-1945)

Certificate of Authenticity (COA): No

Culture: USSR

Signed: No

Original/Licensed Reprint: Original

Year of Production: 1965

Unit of Sale: Single Piece

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