Description: A charming and original two-page extract from the famous Gazette Du Bon Ton magazine (see below) published in June 1920. The title of this article is "Bijouterie Fetichiste" or Fetichist Jewelry, being a showcase for a new range of pendants originating from Africa and Asia. Embellished with pochoir illustrations by Roger Foy and with text by Jean Bernier Many of the famous Art-Deco artists of the day contributed illustrations to the magazine which were printed by using the hand-applied, color pochoir technique . Good condition. Two pages, four sides with central fold as published. Page size 10 x 7.5 inches See more of these in Seller's Other Items which can be combined for mailingGazette du Bon TonFrom Wikipedia, the free encyclopediaJump to navigationJump to searchCover of a 1920 edition of La Gazette du bon ton.The Gazette du Bon Ton was a small but influential fashion magazine published in France from 1912 to 1925.[1][2] Founded by Lucien Vogel, the short-lived publication reflected the latest developments in fashion, lifestyle and beauty during a period of revolutionary change in art and society.[1] Distributed by Condé Nast, the magazine was issued as the Gazette du Bon Genre in the USA.[3] Both titles roughly translate as "Journal of Good Taste"[4] or "Journal of Good Style."[3]Contents1Elitism and arts focus2Fashion illustrations3Footnotes4Works citedThe magazine strove to present an elitist image to distinguish itself from larger, mainstream competitors like Vogue and Harper's Bazaar in America and Femina, Les Modes and L'Art et la Mode in France.[5] It was available only to subscribers and was priced at a steep 100 francs per year, or $425.61 in today's money.[6]The magazine, published on fine paper,[2] signed exclusive contracts with seven of Paris' top couture houses – Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth – to reproduce in luscious pochoir the designers' latest creations.[6] After World War I, a select group of other design firms were added to the magazine's repertoire, including the houses of Beer, Lanvin, Patou and Martial & Armand. However, the editors' choice of designers was arbitrary, and a number of the era's most prominent couturiers never contributed to the pages of the Gazette du Bon Ton, among them Chanel and Lucile. The magazine's title was derived from the French concept of bon ton, or timeless good taste and refinement.[4]The Gazette du Bon Ton aimed to establish fashion as an art alongside painting, sculpture and drawing. According to the magazine's first editorial: "The clothing of a woman is a pleasure for the eye that cannot be judged inferior to the other arts."[4]To elevate the Gazette's literary status, the publication featured essays on fashion by established writers from other fields, including novelist Marcel Astruc, playwright Henri de Regnier, decorator Claude Roger-Marx, and art historian Jean-Louis Vaudoyer.[6] Their contributions ranged in tone from irreverent to ironic and mocking.[6]A George Barbier illustration of a Jeanne Paquin gown, published in the March 1914 GazetteThe centerpiece of the Gazette was its fashion illustrations.[7] Each issue featured ten full-page fashion plates (seven depicting couture designs and three inspired by couture but designed solely by the illustrators)[7] printed with the color pochoir technique.It employed many of the most famous Art Deco artists and illustrators of the day, including Etienne Drian, Georges Barbier, Erté (Romain de Tirtoff), Paul Iribe, Pierre Brissaud, André Edouard Marty, Thayaht (Ernesto Michahelles), Georges Lepape, Edouard Garcia Benito, Soeurs David (David Sisters), Pierre Mourgue, Robert Bonfils, Bernard Boutet de Monvel, Maurice Leroy, and Zyg Brunner. These artists, rather than simply drawing models in outfits, depicted them in various dramatic and narrative situations. Robert Bonfils (French designer)From Wikipedia, the free encyclopediaJump to navigationJump to searchRobert BonfilsBornRobert Etienne Bonfils October 15, 1886 Paris, FranceDiedNovember 1, 1971 (aged 85) Paris, FranceNationalityFrenchKnown forDesign; illustration; gravure; book bindingMovementArt decoRobert Étienne Bonfils (1886-1972) was a French illustrator, painter and designer.[1]Contents1Biography2Awards3See also4References5External linksBiography[edit]Robert Bonfils was born in Paris on 15 October 1886. In 1903, he enrolled in the École Germain Pilon, in 1905 at the École Nationale Supérieure des Arts Décoratifs and between 1906 and 1909 at the École des Beaux Arts.[2]Starting from 1909, Bonfils regularly exposed at the Salon d'Automne and from 1912 onward at the Salon des Artistes Décorateurs, then at Tuileries and in most expositions of painting and the graphic arts, in France and abroad.[2]Bonfils was among the organisers of the 1925 International Exposition of Modern Industrial and Decorative Arts in Paris, while also participating in the organisation of the Exposition of 1937.[2]He created theatre sceneries starting from 1913, and since 1915 textile designs, which were manufactured by Bianchini. Since 1918, he also designed tapestries.[2] He created many illustrations for books and publications, such as the work he did for Francis Jammes' novel Clara d'Ellébeuse, in 1913.[1]Bonfils was in charge of conférences at the École des Arts Décoratifs. For thirty-two years, he was a professor at the École Estienne where he had studied himself.[2]Awards[edit]Bonfils was created Chevalier de la Légion d'honneur in 1926, and Officier in 1938, by the French state.[2] §
Price: 6.5 USD
Location: Los Angeles, California
End Time: 2024-12-16T20:41:24.000Z
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Print Type: Engraving
