Description: Nice condition. Complete. I could not find another one of these on 16mm. Not sure what price is fair, so happy bidding. Movie Info Below:If you are like me, you like to see what you are getting, so I took lots of pics. Thanks for looking! Check out my other cool listings! About The Seller: I am a married dad of four. I quit my job a few years ago to sell on eBay full time. My other job is pastoring a Church in Florida. I’m not some large corporation, just a regular guy making his way for his family. I have a fun time exploring and finding things to sell on eBay. I scour estate sales, garages, attics and anywhere to find many unique and rare items. I jokingly say that I am a minister for “orphaned objects”, finding them new homes where they will be used and enjoyed. Problems: Virtually everything I sell is previously owned, so I understand that sometimes problems may arise. Please do not open a case. Email me and I will work quickly to resolve it. 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Let me know and I will invoice you without the shipping charge. Items valued over $750 will require signature upon delivery. Movie Info: "North by Northwest is a 1959 American spy thriller film produced and directed by Alfred Hitchcock, and starring Cary Grant, Eva Marie Saint, and James Mason.[3] The screenplay was by Ernest Lehman, who wanted to write "the Hitchcock picture to end all Hitchcock pictures".[4] North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization trying to prevent him from blocking their plan to smuggle microfilm, which contains government secrets, out of the country. This is one of several Hitchcock films that feature a music score by Bernard Herrmann and an opening title sequence by graphic designer Saul Bass, and was the first to feature extended use of kinetic typography in its opening credits.[5] North by Northwest is listed among the canonical Hitchcock films of the 1950s and is often listed among the greatest films of all time.[6][7][8] It was selected in 1995 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[9] After its first screening, reviewers for The New Yorker and The New York Times immediately hailed it as a masterpiece of comedic, sophisticated self-parody.[10][11] Plot In 1958 New York City, a waiter pages "George Kaplan" at the Plaza Hotel's Oak Room restaurant after a pair of thugs presumably requests him to do so. As advertising executive Roger Thornhill summons the same waiter, he is mistaken for Kaplan, kidnapped by the thugs and brought to the estate of Lester Townsend in Glen Cove. He is interrogated by spy Phillip Vandamm, a Cold War enemy of the United States, posing as Townsend. Vandamm arranges Thornhill's death in a staged drunk-driving crash. Thornhill survives, but fails to convince his mother and the police about the happenings. Revisiting the estate, Thornhill learns Townsend is a United Nations diplomat. Thornhill and his mother go to Kaplan's empty hotel room at the Plaza, where the thugs have followed him and begin their pursuit. Thornhill heads to the U.N. General Assembly Building to meet Townsend, who, he discovers, is not Vandamm. One of the pursuing thugs throws a knife, killing Townsend, who collapses in Thornhill's arms. Thornhill is photographed as he grabs the knife, giving the appearance that he is the murderer; he then flees, attempting to find the real Kaplan. An unnamed government intelligence agency realizes that Thornhill has been mistaken for Kaplan, but decides against rescuing him for fear of compromising their operation: Kaplan is a non-existent agent they created to confuse and distract Vandamm. Thornhill boards the 20th Century Limited train to Chicago, where he meets Eve Kendall, who hides him from the police. The two establish a relationship—on Kendall's part because she is secretly working with Vandamm—and she tells Thornhill that she has arranged a meeting with Kaplan at an isolated rural bus stop. Thornhill waits there, but is attacked by a crop duster plane. After taking cover in a cornfield, he attempts to halt a tank truck; it brakes, the airplane crashes into it, and he escapes during the aftermath of the explosion. Thornhill reaches Kaplan's hotel in Chicago and learns that Kaplan had checked out before the time when Kendall claimed she talked to him. Thornhill goes to her room and confronts her, but she leaves. He tracks her to an art auction, where he finds Vandamm purchasing a Mexican Purépecha statue. At the Mount Rushmore visitor center Vandamm leaves his thugs to deal with Thornhill. To escape, Thornhill disrupts the auction until police are called to remove him. He says he is the fugitive murderer, but the government agency's chief, "The Professor", intervenes and reveals that Kaplan was invented to distract Vandamm from the real government agent: Eve Kendall. Thornhill agrees to help maintain her cover. At the Mount Rushmore visitor center near Rapid City, South Dakota, Thornhill—now willingly playing the role of Kaplan—negotiates Vandamm's turnover of Kendall to be arrested. Kendall then shoots Thornhill, seemingly fatally, and flees. The bullets were blanks to fool Vandamm as to Kaplan's demise. Afterward, the Professor arranges for Thornhill and Kendall to meet. Thornhill learns Kendall must depart on a plane with Vandamm and his henchman Leonard. He tries to dissuade her from going, but is knocked unconscious, at the Professor's behest, and locked in a hospital room. Thornhill escapes the Professor's custody and goes to Vandamm's house to rescue Kendall. At the house, Thornhill overhears that the sculpture holds microfilm and that Leonard has discovered the blanks remaining in Kendall's gun. Vandamm indicates that he will kill Kendall by throwing her from the plane. Thornhill manages to warn her with a surreptitious note. Vandamm, Leonard, and Kendall head for the plane. Thornhill is momentarily held at gunpoint until he realizes the gun is the one with blanks. As Vandamm boards, Kendall takes the sculpture and runs to the pursuing Thornhill. They flee to the top of Mount Rushmore. As they climb down the mountain, they are pursued by Vandamm's thugs, including Leonard, who is fatally shot by a park ranger. Vandamm is taken into custody by the Professor. Meanwhile, Kendall is hanging on to the mountain by her fingertips. Thornhill reaches down to pull her up, at which point the scene cuts to him pulling her—now the new Mrs. Thornhill—into an upper berth on a train, which suggestively enters a tunnel. Cast Cary Grant as Roger Thornhill Eva Marie Saint as Eve Kendall James Mason as Phillip Vandamm Jessie Royce Landis as Clara Thornhill Leo G. Carroll as The Professor Josephine Hutchinson as "Mrs. Townsend" Philip Ober as Lester Townsend Martin Landau as Leonard Adam Williams as Valerian Edward Platt as Victor Larrabee Robert Ellenstein as Licht Les Tremayne as Auctioneer Philip Coolidge as Dr. Cross Patrick McVey as Sergeant Flamm Edward Binns as Captain Junket Ken Lynch as Charlie Uncredited cast Maudie Prickett as Elsie the Maid[12] Malcolm Atterbury as Man at the crossroads[13] Tol Avery as State Police Detective[12] John Beradino as Sergeant Emile Klinger[14] Ned Glass as Ticket Seller[12] Doreen Lang as Maggie, Roger's Secretary[12] Nora Marlowe as Anna, the housekeeper[12] Ralph Reed as Bellboy[12] Olan Soule as Assistant Auctioneer[12] Frank Wilcox as Herman Weitner[12] Robert Shayne as Larry Wade[12] Patricia Cutts as Hospital Patient Sara Berner as Telephone Operator (voice)[12] Hitchcock's cameo appearances are a signature occurrence in most of his films. In North by Northwest, he is seen getting a bus door slammed in his face, just as his credit is appearing on the screen.[15] There has been some speculation as to whether he made one of his rare second appearances, this time at around the 45-minute mark in drag as a woman in a turquoise dress on the train,[16] but in fact, the woman was played by Jesslyn Fax, who went on to appear in many episodes of Alfred Hitchcock Presents. She had previously appeared in Rear Window. Production Writing Original still for the film Hitchcock often told journalists of an idea that he had about Cary Grant hiding from the villains inside Abraham Lincoln's nose and being given away when he sneezes. He speculated that the film could be called The Man in Lincoln's Nose (Lehman's version is that it was The Man on Lincoln's Nose[17]) or even The Man Who Sneezed in Lincoln's Nose. Hitchcock sat on the idea, waiting for the right screenwriter to develop it. The original traveling salesman character had been suited to James Stewart, but Lehman changed it to a Madison Avenue advertising executive, a position that he had formerly held.[18] John Russell Taylor's 1978 biography Hitch: The Life and Times of Alfred Hitchcock suggests that the story originated after a spell of writer's block during the scripting of another film project: Alfred Hitchcock had agreed to do a film for MGM and they had chosen an adaptation of the novel The Wreck of the Mary Deare by Hammond Innes. Composer Bernard Herrmann had recommended that Hitchcock work with his friend Ernest Lehman. After a couple of weeks, Lehman offered to quit saying he didn't know what to do with the story. Hitchcock told him they got along great together and they would just write something else. Lehman said that he wanted to make the ultimate Hitchcock film. Hitchcock thought for a moment then said he had always wanted to do a chase across Mount Rushmore. Lehman and Hitchcock spitballed more ideas: a murder at the United Nations Headquarters; a murder at a car plant in Detroit; a final showdown in Alaska. Eventually they settled on the U.N. murder for the opening and the chase across Mount Rushmore for the climax. For the central idea, Hitchcock remembered something an American journalist had told him about spies creating a fake agent as a decoy. Perhaps their hero could be mistaken for this fictitious agent and end up on the run. They bought the idea from the journalist for $10,000. Lehman repeated this story in the documentary Destination Hitchcock: The Making of North by Northwest that accompanied the 2001 DVD release of the film. Screenwriter William Goldman insists in Which Lie Did I Tell? (2000) that it was Lehman who created North by Northwest and that many of Hitchcock's ideas were not used. Hitchcock had the idea of the hero being stranded in the middle of nowhere but suggested that the villains try to kill him with a tornado. "But they're trying to kill him. How are they going to work up a cyclone?" Lehman responded. "I just can't tell you who said what to whom, but somewhere during that afternoon, the cyclone in the sky became the crop-duster plane."[19] In fact, Hitchcock had been working on the story for nearly nine years prior to meeting Lehman.[citation needed] Otis Guernsey was the American journalist who had the idea which influenced Hitchcock, inspired by a true story during World War II when British Intelligence obtained a dead body, invented a fictitious officer who was carrying secret papers, and arranged for the body and misleading papers to be discovered by the Germans as a disinformation scheme called Operation Mincemeat. Guernsey turned his idea into a story about an American salesman who travels to the Middle East and is mistaken for a fictitious agent, becoming "saddled with a romantic and dangerous identity". Guernsey admitted that his treatment was full of "corn" and "lacking logic", and he urged Hitchcock to do what he liked with the story. Hitchcock bought the 60 pages for $10,000.[citation needed] In an interview in the book Screenwriters on Screenwriting (1995), Lehman stated that he had already written much of the screenplay before coming up with critical elements of the climax. An example of the "corn" in the finished screenplay was the scene wherein Roger Thornhill returns to the Townsend estate with the detectives to find everything changed. If Thornhill was indeed a spy, he would have had no reason to return to the estate after his escape the previous night, nor would the criminals be expecting him to return as they obviously did. This was the only Hitchcock film released by Metro-Goldwyn-Mayer. Since 1986, it has been owned by Turner Entertainment Co., as part of the pre-May 1986 MGM film library that it acquired through temporary ownership of MGM. Production costs on North by Northwest were seriously escalated when a delay in filming put Cary Grant into the penalty phase of his contract, resulting in an additional $5,000 per day in fees for him before shooting even began.[20]" - 7.1.24 -7.15.24-8.30.24-
Price: 89.1 USD
Location: Saint Petersburg, Florida
End Time: 2024-09-03T20:49:29.000Z
Shipping Cost: 19 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Film Format: 16mm
Actor: Gladys Knight
Movie/TV Title: Pipe Dreams